ODE TO A DYING WORLD

taking the risk of being slapped-on the label INSANE by any passers-by and therefore being further segregated from the rest of ‘humanity’ than i already am – getting into the whole poetry thing really just happened lately. this phase is probably all over again now, after this,  but it seemed to express how i felt about the world in the most appropriate way during the past couple of months. close friends know anyway that i’ve never been more vital and clear than i am now. they also know that there’s an extremely rational and sincere trajectory behind everything that i’ve been doing, always upholding the TRUTH and dismantling the LIE.

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NANOBOY

the first draft of the script i’ve been working on for almost a year is now finished!

Synopsis

This is the story of MARTIN, a disturbed and withdrawn thirteen-year-old boy, who in the midst of a severely malfunctioning environment is coming to use his prodigious skills at Nanotechnology to spread mayhem and disaster around him. As his increasingly destructive inventions grow in scale and power, government ploys of even vaster significance spring up almost simultaneously, putting his childish ventures in catastrophe into the broader context of anyway looming global deterioration of values and meaning. A world of lies and deceit falls entirely apart as the detrimental danger of Nanotechnology displays its true face to everyone.

Played out as a morally unbiased mixture between dark comedy and classical disaster movie we witness each character’s tragic trajectories towards failure. We’re being gripped by the increased urgency to bring to a halt complete world destruction – when in a surprising twist NANOBOY suddenly enlightens in a beatific paraphrase of Buddhahood. His final, most devilish concoct of a Nanovirus, meant to be rendering everyone into an identical copy of himself, turns out to be the literal and metaphorical ‘seed of salvation’. NANOBOY’s suffering and ultimately innocent journeying of Truth enables Mankind to be truly set free and ascend.

reinhard schleining
london, june 2009 – january 2010


following are the beginning of the script until the end of the opening credits. enjoy!

1 EXT. WOODLANDS ON A HILL – NIGHT / FULL MOON

MARTIN, a cute but withdrawn boy – NANOBOY – sits crouched at a damp tree trunk in the woods, shivering from cold and fear. The MOON is full and tinting the SCENE in a SILVERY LIGHT.

A horde of WOLVES surrounds MARTIN, growling and howling. ONE of them approaches him fiercely, snout snapping, saliva dripping.

MARTIN tightly embraces his legs and bends his head down on his knees as the WOLF closes in on him with grinding, bared teeth.

CUT TO:

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