GIRLS IN MODERN ART

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.


[ some hints for modern artist, as well as deep but childlike males and females ]

 

When possibly one of the greatest painters of the female nude, Jean Auguste Dominique Ingres, had to lend his ear to the accusation of not being modern enough, not enough of a ‘revolutionary’ like ‘everyone else’ at the time, he replied, in order to justify his love for classicism and renaissance art, that, well, “the female form looks still the same like it used to”. What he sarcastically implied with that confident quote was that if that weren’t the case anymore, he wouldn’t actually bother painting. He would’ve probably just carried on playing the second violin in his local orchestra to pay the rent and get on with his life (that’s apparently what he really did at one stage). For me, it’s very interesting to look at the progression that went on, from the days he devoted to the exposition of the female form in an attempt to capture some of her divine mystery and beauty, to how the genre finally evolved to be suitable for the complexities of the world today.

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NABOKOV & CASANOVA

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.)


[ a literary discussion about girls and honour ]

 

When I came across the book The Annotated Lolita in my local charity shop the other day, quite a few things fell into place. Having just finished Casanova’s memoirs a few weeks earlier, and always having been acutely aware that Lolita is no ordinary book at all, Alfred Appel, Jr.’s annotations (I’m pretty sure this is another tongue-in-cheek pseudonm of ‘magician’ Nabokov, it does bear all the signs and hallmarks) were a timely further eye-opener. Hearing so many tales and behind-the-scene infos about Nobokov and what he was doing with the novel, suddenly so many things tied into the cultural pastiche rendered by Casanova that I decided to contribute a few trails of thought to the cause.

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PORTRAIT OF AN ARTIST

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.)


[ a piece of fictional non-fiction for draft magazine, taking the form of an interview ]

 

Q: Why are you doing this magazine?

A: Haha, straight in. I think that’s a pretty big question. To keep it simple for the time being, let’s say that I’ve found myself in the exact position to do it. The original idea for a magazine called draft is a couple of years old. When the cosmic climate was ripe to go on and actually do it, the zero issue ‘Unspeakable’ almost created itself on its own. The true roots of its core and content would certainly go deep, though.

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