NANOBOY

the first draft of the script i’ve been working on for almost a year is now finished!

Synopsis

This is the story of MARTIN, a disturbed and withdrawn thirteen-year-old boy, who in the midst of a severely malfunctioning environment is coming to use his prodigious skills at Nanotechnology to spread mayhem and disaster around him. As his increasingly destructive inventions grow in scale and power, government ploys of even vaster significance spring up almost simultaneously, putting his childish ventures in catastrophe into the broader context of anyway looming global deterioration of values and meaning. A world of lies and deceit falls entirely apart as the detrimental danger of Nanotechnology displays its true face to everyone.

Played out as a morally unbiased mixture between dark comedy and classical disaster movie we witness each character’s tragic trajectories towards failure. We’re being gripped by the increased urgency to bring to a halt complete world destruction – when in a surprising twist NANOBOY suddenly enlightens in a beatific paraphrase of Buddhahood. His final, most devilish concoct of a Nanovirus, meant to be rendering everyone into an identical copy of himself, turns out to be the literal and metaphorical ‘seed of salvation’. NANOBOY’s suffering and ultimately innocent journeying of Truth enables Mankind to be truly set free and ascend.

reinhard schleining
london, june 2009 – january 2010


following are the beginning of the script until the end of the opening credits. enjoy!

1 EXT. WOODLANDS ON A HILL – NIGHT / FULL MOON

MARTIN, a cute but withdrawn boy – NANOBOY – sits crouched at a damp tree trunk in the woods, shivering from cold and fear. The MOON is full and tinting the SCENE in a SILVERY LIGHT.

A horde of WOLVES surrounds MARTIN, growling and howling. ONE of them approaches him fiercely, snout snapping, saliva dripping.

MARTIN tightly embraces his legs and bends his head down on his knees as the WOLF closes in on him with grinding, bared teeth.

CUT TO:

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TRAGIC IMPOTENCE OF MONEY

***UPDATE – a slightly more polished and beautifully type-set version is part of the SYSTEMICS book.

(made available to read online for free once-in-a-while or generally with a donation based password.)


[ or ‘off the the other shore’ ]

 

CONDITIONS

We’re born naked. We die naked. As not only religion but also logic suggest, no matter how much funds we raise throughout our worldly journey, in the face of Ultimate Reality, even the most beautiful diamonds and castles merely amount to worthless chunks of mud. There is of course the argument of safeguarding relatives and loved ones, putting our kids on golden thrones and what not – but, honestly, can we really ease their various, vastly unpredictable hardships – emotional havoc, political corruption, abusive encounters, ageing, deterioration, madness – with monetary ailments? Besides, are we doing such an apparently altruistic act really unconditionally, with only their best interests in mind, or do we actually expect a return-of-investment, where we need them to do certain things in exchange, behave in certain ways, before our hard-earned juices will change bank accounts at the end of the day? As most of us haven’t been loved by our parents unconditionally, there is usually a wicked agenda behind the way how we interact with each other. Most exchanges are burdened with crooked meanings underneath and beyond the actual surface transactions. Like the sticky fingerprints we leave as soon as we touch it, Money involved in human transaction inherently corrupts any relationship through its conscious and unconscious strings attached – its Conditions.

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