DONATIONS AND PASSWORDS

just a quick note – i’m getting too much traffic lately, so that my provider keeps reprimanding me. yeah, funny situation. but anyway, puts reality straight. the worthless is pushed and hustled and shared millionfold while the pearls are meant to be low key and laid low. it seems a universal law and makes totally sense to me.

as a result, i’m password protecting most of the fiction work (my main art) and some of the non-fiction. i think you’re better off having the hard copy in your hand, anyway, also considering the very likely blackout of the internet the moment ‘truth’ hits the critical cue on the game theory perception management algos.

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SYSTEMICS II BOOK

 

out now

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OLDER = TRUER

some people think that they’re right because what they believe in is quite dramatically ancient. yet what about those truths even older?

nuwa & fuxi

do i see compass & square with depictions of black sun and white sun amidst cosmic constellations? male & female / yin & yang (even buddha & dao!) traversing the universe peacefully while leaving behind a star-studded (or particle / matter studded) trail of double-helix?

TWITTER PRESENCE

i’ve been doing some writing in the form of daily commentaries on all sorts of relevant things that pop up. interesting and powerful project on x | twitter. it does provide quite some valuable insights for anyone ‘reading’ into what immediate, tangible ‘reality’ we’re really facing and how it  presently unfolds.

there are lots of dots connected. areas are vast. angles are deep. why not tune in? link on picture.

FACEBOOK PRESENCE

on facebook i’ve been doing my WEEKEND FUNNIES project for many months now. all the craziest memes i come across every week i’m sharing there (link on picture).

it’s quite fascinating that humour can express things that can’t be uttered with words anymore. time being what it is now. so many sensitive topics. so outrageous the anger and laughter and general state of the world. it can truly bring about epiphany and i’m not boasting. see for yourself?

TELEGRAM PRESENCE

‘reader’ sculpture from egypt dated ca. 3600BC

amidst all this censorship nonsense, corporate headslapping and prepotent babysitting, telegram has certainly emerged as the hub where every intelligent and openminded person will come to. “i can breathe”, lol.

draft MAGAZINE is a neat new space. for now, i’ve uploaded all the major promotional activities. as you know, so far, everything happened on-site and directly.

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MK ULTRA AND SEX SLAVERY

[ an attempt to find consoling words and perhaps offer a real way out ]

 

I – SPEAKING OUT

This came-up in my life recently full-on and hard-core. It is very hard to talk about it, even though the topic only exists in this world because no one talks about it, especially not the victims who’re threatened with unimaginable penalties including the loss of their lives. I’ve hit upon it a few years ago, when I shared work of Fritz Springmeier (mainly on facebook where I’ve continuously been writing draft magazine). He was one of the earlier brave researchers digging and talking. He ‘saved’ quite a few victims. Another related topic I shared was Cathy o’Brian who was very lucky to be saved from sex slavery within high-level political circles and then openly talked about her experiences and the wisdom attained for many years now. A lot of people in the truth community know about her.

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STILL LIFE *reloaded

STILL LIFE cartoons on telegram

really glad to announce that i’m starting to promote my edgy, psychology-backed comic strip series, published 2010 as above pictured lavish-production booklet.

on the telegram page from the link, i’ve put up all 104 strips (2 series of 52 each) as little video snippets. tried to do the same on instagram but after two days in, working around bugs and mind games, the upload was stopped at no. 26 from the second series. rather than deleting the account myself, i thought of using the mind games of this persecution to expose the intent and method instead …

the original edition of this lovely booklet is still available for £ 35,- including postage anywhere in the world (+ £ 10,- for recorded delivery). contact me to inquire and order or buy right away on my

eBay store

GIRLS IN MODERN ART

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.

[ some hints for modern artist, as well as deep but childlike males and females ]

 

When possibly one of the greatest painters of the female nude, Jean Auguste Dominique Ingres, had to lend his ear to the accusation of not being modern enough, not enough of a ‘revolutionary’ like ‘everyone else’ at the time, he replied, in order to justify his love for classicism and renaissance art, that, well, “the female form looks still the same like it used to”. What he sarcastically implied with that confident quote was that if that weren’t the case anymore, he wouldn’t actually bother painting. He would’ve probably just carried on playing the second violin in his local orchestra to pay the rent and get on with his life (that’s apparently what he really did at one stage). For me, it’s very interesting to look at the progression that went on, from the days he devoted to the exposition of the female form in an attempt to capture some of her divine mystery and beauty, to how the genre finally evolved to be suitable for the complexities of the world today.

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STATE OF AFFAIRS

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.)

[ a fictional dialogue, written for draft magazine – issue 000 “unspeakable” ]

 

Reinhard: Hey, Rimantas, how’re you doing?

Rimantas: Cool, cool. Very busy. But all good. And you?

Reinhard: Not bad, either. Cultivating diligently. Lots of changes inside. Outside, it all seems to have come to a standstill. While Clown Chaos enshrouds the so-called ‘World’.

Rimantas: Haha, yeah, really seems like that.

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NABOKOV & CASANOVA

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.)

[ a literary discussion about girls and honour ]

 

When I came across the book The Annotated Lolita in my local charity shop the other day, quite a few things fell into place. Having just finished Casanova’s memoirs a few weeks earlier, and always having been acutely aware that Lolita is no ordinary book at all, Alfred Appel, Jr.’s annotations (I’m pretty sure this is another tongue-in-cheek pseudonm of ‘magician’ Nabokov, it does bear all the signs and hallmarks) were a timely further eye-opener. Hearing so many tales and behind-the-scene infos about Nobokov and what he was doing with the novel, suddenly so many things tied into the cultural pastiche rendered by Casanova that I decided to contribute a few trails of thought to the cause.

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BOOK VALUES

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.)

[ on why writers aren’t writers anymore and publishers aren’t publishers ]

 

I came upon this funny discussion between Amazon and Hachette the other day (chance, fate, arrangement …) and since it really coincides with recent developments on my end, I decided to dedicate a few words on this. As things stand in terms of present-day reality unfoldment (what I exactly mean by that I’ll go to show), I’d consider, seen from both my angles as an Author and Publisher, the following conclusions to be quite valuable.

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PORTRAIT OF AN ARTIST

***UPDATE – a slightly more polished and beautifully typeset version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.)

[ a piece of fictional non-fiction for draft magazine, taking the form of an interview ]

 

Q: Why are you doing this magazine?

A: Haha, straight in. I think that’s a pretty big question. To keep it simple for the time being, let’s say that I’ve found myself in the exact position to do it. The original idea for a magazine called draft is a couple of years old. When the cosmic climate was ripe to go on and actually do it, the zero issue ‘Unspeakable’ almost created itself on its own. The true roots of its core and content would certainly go deep, though.

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A FEW MORE WORDS ON POWER

***UPDATE – a slightly more polished and beautifully type-set version is part of the SYSTEMICS II book.

(made available to read online for free once-in-a-while or generally with a donation based password.)

[ trying to say something new after seemingly everything’s already been said ]

 

INTRODUCTION

This was going to be a bore, I initially felt, after having gone on and on about Power for as long as I can remember. From quite a young age, I understood that pretty much everything here at ‘this place’ seemed to revolve around it. People, as soon as their original childlike innocence become wrapped-up in adult pretence and fake sincerity, were busying themselves with power games, no matter how trifle the matters of their condescending, patronising or outright coercion routines were being played-out. Was it not about who gets to sit next to the other in class or who’s fancied by whom, it was about whose mum was supposed to be prettier or hotter or whose father was richer or bigger. It was always the same, no matter where you were. Competition and Struggle. Guys against guys – who’s cooler, stronger, more capable? Girls against girls, who’s sexier, brighter, more gifted. And then, of course – on the highest and most secret and sublime level, it was a matter of Guys against Girls. Who eventually seduces whom and who really, ultimately needed the other? For what ultimate, unspeakable end(s)? To satisfy whatever unspoken-of petty desire?

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